Theory and method in historical ethnomusicology
Marca: Lexington
Cód: T120866P
Nº de Páginas: 411
ISBN: 9781498500869
Idioma: Ingles
Enviamos para todo Brasil e Exterior
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Nesta obra, os editores Jonathan McCollum e David Hebert, juntamente com os colaboradores Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman e Diane Thram, demonstram sistematicamente várias formas de novas abordagens para a historiografia aplicadas a novas tecnologias - impacto no trabalho de etnomusicologistas que procuram representar significativamente tradições musicais além das barreiras de tempo e espaço. Colaboradores especializados em música histórica da Armênia, Irã, Índia, Japão, África do Sul, judeus americanos e fiddiling do sul dos Estados Unidos descrevem a abertura de novas abordagens teóricas e metodologias para pesquisas sobre a história da música global. No Prefácio, Keith Howard oferece sua perspectiva sobre a etnomusicologia histórica e a importância de reconsiderar teorias e métodos aplicáveis ??a este campo para o aprimoramento das compreensões musicais no presente e no futuro.
Table of contents
Foreword. The Past is No Longer a Foreign Country
Keith Howard
Acknowledgments
Chapter 1. Foundations of Historical Ethnomusicology
Jonathan McCollum and David G. Hebert
Chapter 2. Methodologies for Historical Ethnomusicology in the Twenty-First Century
David G. Hebert and Jonathan McCollum
Chapter 3. Philosophy of History and Theory in Historical Ethnomusicology
David G. Hebert and Jonathan McCollum
Chapter 4. Hearing Echoes, Sensing History: The Challenges of Musical Diaspora
Judah Cohen
Chapter 5. Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in Historical Ethnomusicology
Ann Lucas
Chapter 6. Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth through Early Twentieth Centuries
Jonathan McCollum
Chapter 7. Southern American Fiddling through the Mid-Nineteenth Century: Three Snapshots with Modern Connections
Chris Goertzen
Chapter 8. A Tale of Two Sensibilities: Hindustani Music and its Histories
Daniel M. Neuman
Chapter 9. The Legacy of Music Archives in Historical Ethnomusicology: A Model for Engaged Ethnomusicology
Diane Thram
Chapter 10. Contested Contextualization: The Historical Construction of East Asian Music
Keith Howard
Chapter 11. Advancing Historical Ethnomusicology
Jonathan McCollum and David G. Hebert
Index
About the Contributors
Table of contents
Foreword. The Past is No Longer a Foreign Country
Keith Howard
Acknowledgments
Chapter 1. Foundations of Historical Ethnomusicology
Jonathan McCollum and David G. Hebert
Chapter 2. Methodologies for Historical Ethnomusicology in the Twenty-First Century
David G. Hebert and Jonathan McCollum
Chapter 3. Philosophy of History and Theory in Historical Ethnomusicology
David G. Hebert and Jonathan McCollum
Chapter 4. Hearing Echoes, Sensing History: The Challenges of Musical Diaspora
Judah Cohen
Chapter 5. Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in Historical Ethnomusicology
Ann Lucas
Chapter 6. Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth through Early Twentieth Centuries
Jonathan McCollum
Chapter 7. Southern American Fiddling through the Mid-Nineteenth Century: Three Snapshots with Modern Connections
Chris Goertzen
Chapter 8. A Tale of Two Sensibilities: Hindustani Music and its Histories
Daniel M. Neuman
Chapter 9. The Legacy of Music Archives in Historical Ethnomusicology: A Model for Engaged Ethnomusicology
Diane Thram
Chapter 10. Contested Contextualization: The Historical Construction of East Asian Music
Keith Howard
Chapter 11. Advancing Historical Ethnomusicology
Jonathan McCollum and David G. Hebert
Index
About the Contributors
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